Harry Wilson

Published: 1 October 2014

Practising Barthes: encounters between performance & photography

University of Glasgow

Practising Barthes: encounters between performance & photography

Academic History:

2014-Present PhD in Theatre Studies, University of Glasgow & University of Dundee

2009-2011 MPhil, Theatre Studies, University of Glasgow

2004-2008 MA Hons, Theatre Studies, University of Glasgow

Supervisors:

Professor Deirdre Heddon (University of Glasgow)

Professor Carl Lavery (University of Glasgow)

Pernille Spence (DJCAD, University of Dundee)

Research Interests:

My current PhD project uses a practice-as-research methodology to explore the relationships between performance & photography. Specifically, I am using Roland Barthes's reflections on photography in Camera Lucida (1980) to explore ideas of temporality, corporeality & affect in contemporary performance dramaturgies. The project seeks to read & compose performance through & in response to Camera Lucida. In undertaking this research I hope to further explore the usefulness of Barthes's work in theorising & practising performance, as well as exploring what performance practice might offer to Barthes scholarship.

Previous Research Projects:

“The Director of Devised Theatre, Facilitating Collaboration, Ownership & Empowerment” (Mphil Thesis)

Scholarships:

2014. AHRC DTP Studentship

Conference Papers/Talks:

“The voice as it sings, the hand as it writes, the limb as it performs: Re-turning to Roland Barthes & the live body" IFTR, Stockholm, June 2016

"Staging the punctum: reflections on performance & photography" Performance lecture, Performance Philosophy Conference, SAIC Chicago, April 2015

"Performance as Tame or Mad?" Talk at the Into the New Festival Symposium, Arches theatre, January 2015

“The Death Jump Series: Three Performances about Falling” Artist Talk, University of Glasgow, November 2014.

“How is devised theatre ‘written’? The problems of authorship, intellectual property & the director as author”, TFTS Postgraduate Symposium, University of Glasgow, March 2011.

Selected Previous Performances:

  • KAIROS Performance, Buzzcut Festival, The Pearce Institute; Outskirts Festival, Platform, Glasgow; Live Art Bistro, Leeds, 2016
  • AN INCONSOLABLE MEMORY Performance, Defibrillator Performance Art Gallery, Chicago, 2015
  • BUZZCUT COMMONPLACE BOOK Live Documentation project, Buzzcut Festival, The Pearce Institute, Glasgow, 2015
  • THE PUNCTUM Lecture Performance. Southside Studios, Glasgow; The University of Glasgow; Generator Projects, Dundee; DCA, Dundee, 2013-14
  • THE BLUE OF DISTANCE Durational Performance, Forest Fringe, Edinburgh, 2013
  • DEATH JUMP Devised Performance, Buzzcut Festival, The Glue Factory, Glasgow; Hunt & Darton Café, Edinburgh, 2013
  • CINEMATIC CITY Site-Responsive Performances. IETM Glasgow, 2010
  • HELIUM Devised Performance, ArchesLIVE Festival, The Arches, Glasgow, 2010

Contact details:

Address: Room 206, 68 Oakfield Avenue, University of Glasgow, Glasgow, G12 8QQ  

Email: h.wilson.1@research.gla.ac.uk

Website: www.harryrobertwilson.com

Twitter: @theharry_wilson

Academia.edu: glasgow.academia.edu/HarryWilson

Research Blog: practisingbarthes.wordpress.com


First published: 1 October 2014