Scottish Graduate School for Arts & Humanities

William Allen

Mon, 21 Jan 2019 10:00:00 GMT

Sonic Neurologies: Sound and Schizophrenia in the Work of David Foster Wallace and Richard Powers.

Thomas Archambaud

Mon, 21 Jan 2019 10:04:00 GMT

James Macpherson: clanship, patronage and networks of Highlanders integration in 18th- century imperial Britain

Katharina Bernhard

Mon, 21 Jan 2019 10:05:00 GMT

Epistemological dimensions of scientific expert testimony (SET).

Emma Brunton

Mon, 21 Jan 2019 10:06:00 GMT

Transformations in Women’s Spiritual Authority from Precolonial to Early Colonial Rwanda.

Harry Brennan

Mon, 21 Jan 2019 10:06:00 GMT

Gender and identity in the early modern Atlantic world (c.1650-1750).

Catie Bugler

Mon, 21 Jan 2019 10:07:00 GMT

A Dialogue with History, a View to the Future: Education, Classical Reception and the Scottish Classical Tradition

Lucy Byford

Mon, 21 Jan 2019 10:08:00 GMT

‘Staging the Carnivalesque: Subversive Strategies in Print Culture and Performance from Simplicissimus to Dada’

Amy Clarkson

Mon, 21 Jan 2019 10:08:00 GMT

Rewilding the Self: An Embodied Creative Practice of Ecological Enmeshment and Cultural Emergence.

Mila Daskalova

Mon, 21 Jan 2019 10:09:00 GMT

Printing and Periodical Culture in the Nineteenth-Century Asylum.

Rasa Davidaviciute

Mon, 21 Jan 2019 10:10:00 GMT

How a human rights can incorporate the obligations of cultural heritage preservation

Joyce Dixon

Mon, 21 Jan 2019 10:10:00 GMT

Werner’s Nomenclature of Colours (1814): the first portable guide to identifying, communicating and replicating colours in the natural world.

Molly Farrell

Mon, 21 Jan 2019 10:13:00 GMT

DORIC DAUGHTERS 1895-1928: Codes of same-sex desire in Sapphic modernism.

Laura Fearnley

Mon, 21 Jan 2019 10:14:00 GMT

The connection between counterfactuals and morality.

Andrew Fyfe

Mon, 21 Jan 2019 10:14:00 GMT

Adaptive tools in immersive digital music performance: performer behaviour, sound localisation and the multidimensional parameter space.

James Gallagher

Mon, 21 Jan 2019 10:17:00 GMT

Was the Hundred Years War crusading a distant aspiration, to which lip-service was paid, or was used for the purposes of diplomacy or fund-raising.

Ren Gardin

Mon, 21 Jan 2019 10:17:00 GMT

The role of improvisational strategies in artistic labour, specifically addressing the use of improvisation in experimental film and animation.

James Gardiner

Mon, 21 Jan 2019 10:18:00 GMT

Applying Design Thinking to the development of Ethical AI in Accounting.

Lisa Gotthard

Mon, 21 Jan 2019 10:19:00 GMT

A comparative-syntactic study of 16th to 18th century Scots and English.

Morven Gow

Mon, 21 Jan 2019 10:20:00 GMT

Worth £4.8bn to the UK economy, while occupying a central role as generator of IP underpinning other entertainment (including TV, films, and theatre), 21st C book publishing merits examination.

Matthew Green

Mon, 21 Jan 2019 10:20:00 GMT

Is there an epistemologically interesting and philosophically significant analysis of the a priori?

Kirsty Haslam

Mon, 21 Jan 2019 10:21:00 GMT

An investigation into the social context and cultural meaning of warfare in late medieval and early modern North-east of Scotland.

Cameron Houston

Mon, 21 Jan 2019 10:22:00 GMT

The relationship between political change and ethnic discourses during the transformation of the Carolingian world, c. 840-1050.

Nicky Haire

Mon, 21 Jan 2019 10:23:00 GMT

Investigating humour in music therapy.

Kiefer Holland

Mon, 21 Jan 2019 10:23:00 GMT

How nineteenth-century African American antislavery authors and orators responded to, resisted, and subverted the US’ ideological perception of freedom as something to be fought for, gained, and justified, solely in terms of dominant constructions of white masculinity.

Nathan Hood

Mon, 21 Jan 2019 10:25:00 GMT

The essence of true Christianity is the reformation of the heart’: ‘the godly’s’ emotion in early seventeenth century Scotland, 1600-1640 circa’.

Juliette Irretier

Mon, 21 Jan 2019 10:26:00 GMT

Going to a Better Place: The Geopolitics of Film Tourism from Germany to Scotland.

Marcus Jack

Mon, 21 Jan 2019 10:27:00 GMT

The significant narratives in the history of artists’ moving image (AMI) in Scotland since the mid-1960s through a curatorial, practice-led approach.

Callum Jamieson

Mon, 21 Jan 2019 10:27:00 GMT

The papacy, as one of the earliest ‘supranational’ bodies, was central to English politics between 1066 and 1221, with a considerable and developing impact on royal power and secular and ecclesiastical government.

Jana Jankuliakova

Mon, 21 Jan 2019 10:28:00 GMT

The traumatic experience of the Great War and its impact on mental health changed perception and representation of the male body in early 20th century German medical imagery and visual art.

James Johnson

Mon, 21 Jan 2019 10:29:00 GMT

The relationships between communities and their graveyards through the 18th and 19th centuries, and the effects of historical use on modern-day graveyard interaction and communal value.

Ewa Jonczyk

Mon, 21 Jan 2019 10:30:00 GMT

My project aims to establish and evaluate the criteria used in philosophy to determine similarity relations between possible worlds.

Ross Kennedy

Mon, 21 Jan 2019 10:31:00 GMT

The Practice of Exemption in Late-Medieval England, c.1199-c.1307.

Aron Kesckes

Mon, 21 Jan 2019 10:32:00 GMT

Interactions between military and political power in Southern Italy between ca. 1053 and 1127.

Sean Kinnear

Mon, 21 Jan 2019 10:32:00 GMT

The Nuclear Bunker: Tracing, analysing and preserving the remnants of Cold War architecture in Scotland.

Anna Lively

Mon, 21 Jan 2019 10:40:00 GMT

The transnational connections between the Russian and Irish Revolutions, focusing on the transmission of political ideas across borders through texts and the media.

Alexandra Lorson

Mon, 21 Jan 2019 10:41:00 GMT

Listeners’ understanding of information that is backgrounded by speakers, and ways their interpretations may be influenced by contextual factors.

Kyla MacDonald

Mon, 21 Jan 2019 10:41:00 GMT

Re–discovery, Restoration and Revision: investigating the position of women artists within recent curatorial trends in Europe and North America.

John McIntyre

Mon, 21 Jan 2019 10:42:00 GMT

How the integration of ‘smart’ digital technologies into creative practices has blurred the lines between human and nonhuman creativity, bringing into question the subjectivity of authorship.

Lindsay McMillan

Mon, 21 Jan 2019 10:43:00 GMT

In Cooperation and Conflict: Medicine and Religion on British Caribbean Slave Plantations, 1700-1830.

Linsey Middleton

Mon, 21 Jan 2019 10:44:00 GMT

‘The Technical Recipe: A Formal Analysis of 19th Century Food Writing’.

Connor Milliken

Mon, 21 Jan 2019 10:47:00 GMT

Queer History-Making in Performance: Interrogating Scotland’s Narrative of Liberalisation.

Janine Mitchell

Mon, 21 Jan 2019 10:47:00 GMT

The potential of the biofiction genre as a method of combining original archival research with creative writing to produce a narrative which self-reflexively explores the boundary between biography and fiction.

Nick Mols

Mon, 21 Jan 2019 10:48:00 GMT

The influence of the early modern architect Sebastiano Serlio in respect of France, the Low Countries, England, and, Scotland.

Dario Mortini

Mon, 21 Jan 2019 10:49:00 GMT

Putting Knowledge First: New Approaches in Epistemology and Mind.

Sam Osborn

Mon, 21 Jan 2019 10:49:00 GMT

Queer writing and film from the German Democratic Republic (AKA East Germany), produced between 1950-1990.

Angela O'Sullivan

Mon, 21 Jan 2019 10:50:00 GMT

My project has two aims: to defend an infallibilist account of knowledge and argue in favour of the sceptical conclusion regarding knowledge.

Thomas Pritchard

Mon, 21 Jan 2019 10:51:00 GMT

The profound effects that the Thirty Years War had upon England and Scotland in the 1630s is largely absent from British scholarship, it occupies a peripheral position in the historiography of the British Isles.

Michael Russ

Mon, 21 Jan 2019 10:51:00 GMT

My research involves an analysis of developing forms of regulation for internet platforms with a specific focus on how this regulation will enable platforms to combat the spread of “fake news”. In this way, the research will proceed through two main investigations.

Ruth Salter

Mon, 21 Jan 2019 10:52:00 GMT

The mid-twentieth-century Scottish Folk Revival’s cultural-political relationship with society and consequent location within Marxist discourses of cultural dominance.

Philippe Schmid

Mon, 21 Jan 2019 10:52:00 GMT

Dukedom Large Enough: Renaissance Self-Fashioning and the Crisis of the Learned Book Market in the 17th century.

Maria Sledmere

Mon, 21 Jan 2019 10:53:00 GMT

Anthropocene Aesthetics: Tracing Deep Time, Daily Life and Dark Ecology through Critical-Creative Practice

Graham Stephen

Mon, 21 Jan 2019 10:54:00 GMT

The dominance of MacDiarmid and Gibbon in The Scottish Literary Renaissance of the early twentieth century has obscured a network of creative North-East minds who were instrumental in the movement’s development.

Hilary Stevenson

Mon, 21 Jan 2019 10:55:00 GMT

A new approach to the emergence of regnal solidarity: monastic patronage in Aberdeenshire in the late twelfth and thirteenth centuries.

Maxwell Stocker

Mon, 21 Jan 2019 10:55:00 GMT

An exploration of portrayals of cultural identity and self-definition in one of the ancient world’s most storied and interculturally saturated regions: the Eastern Mediterranean.

Rory Stride

Mon, 21 Jan 2019 10:56:00 GMT

Gender, Loss and Memory: The Impact of Deindustrialisation on Women Workers in Scotland, c.1970-2000.

Rachel Thain-Gray

Mon, 21 Jan 2019 10:57:00 GMT

Intersectionality in action: Fourth-wave feminist museological practice.

Carmen Thompson

Mon, 21 Jan 2019 10:57:00 GMT

My project is a comparative study of contemporary female documentary filmmakers in Kenya.

Sarah Thomson

Mon, 21 Jan 2019 10:58:00 GMT

A Transformational Conservative? Constructing Ronald Reagan’s Political Legacy, 1984-93.

Peter Tuka

Mon, 21 Jan 2019 10:59:00 GMT

20th century East-Central European art within the socio-political background of totalitarian regimes and with particular interest in the culture and history of former Czechoslovakia.